Dedicated to presenting a complete spectrum of fine art, its complement of artists represents world-class achievement in a wide range of techniques from traditional to contemporary. |
|||
 Segal & Haley
Our work is made from a common material used in an uncommon way, and we are constantly trying to push the limits of what is possible in our colored clay patterns. | |||
 Rene Alvarado
Rene Alvarado's work is a reflection of both his familial roots in northern Mexico and his adopted home in West Texas. | |||
 Clay Hejl
Clay Hejl original artwork includes both post-modern figurative and Texas/Western Theme artworks. | |||
| Angela Gallia
Angela's work has been shown throughout the United States and in Canada. Her work appears in a number of collections including the San Angelo Museum of Fine Art and the Baker University Children's Museum. It has been published in Clay Times, Ceramics Monthly, Functional Pottery by Robin Hopper, Clay and Glazes for the Potter by Daniel Rhodes, Making Marks by Robin Hopper, The Sculpture Reference by Arthur Williams and Slab Built Tableware by Kathy Triplett. |
|||
| Randy Brodnax
Randy Brodnax, a life-long potter and educator from Dallas, Texas, creates everything from functional dinnerware to large decorative vessels to clay sculpture. |
|||
| Max Hulse
His passion now is painting the scenery of Northern New Mexico. Max works have been exhibited in several regional and juried shows including invitational shows at the Panhandle Plains Museum in Canyon, Texas and the Taos Art Museum in Taos, New Mexico. |
|||
| Jim Bob Salazar
Although teaching demands the majority of Jim's time, he still make time for attending and presenting workshops, curating exhibitions, and making all the pots he can. |
|||
| Susan Budge
Susan's is the winner of numerous awards and recognitions and her work is on display locally, as well as in the White House. |
|||
| Rebecca Roberts
Rebecca's work is an on going evolution in clay, which has been central to almost all her life. |
|||
| Lebeth Lammers
Lebeth Lammers has an affinity for both functional work and sculpture. Perhaps this is why her sculptural work blurs the line between the two types of work. |
|||
|
| |||